Set design, lighting design, and projections for theatre and dance. 

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Home Portfolio Archive for category "Papermill"
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Man of La Mancha

Digital set rendering for Man of La Mancha. Stone arches, flicker-flame torches, a fire burns under a staircase.




 
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Pippin

 
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A Christmas Carol

   



This method of projection was used in a production of Sylvia that I did in April of 2012 for Auburn University in Alabama.
It used a contemporary NYC Skyline, and a different graphic style of course.   You can see how it worked here: http://scenicandlighting.com/sylvia/

Corner fireplace wagon for Cratchit house:

Rolling wall & door unit for Fred’s House:


Wall treatment for Cratchit house: 

Wall treatment for Fred’s house:
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Spamalot

Scenic Storyboard: PDF Format

PDF Groundplan – Letter Size

SM-spamalot-gp

Spamalot is a stage adaptation of Monty Python and the Holy Grail, with a large amount of liberty taken in the adaptation, with generous references to the larger body of Monty Python works.

This particular produciton incorporated deliberately rudimentary scenic elements in combination with original projection media styled in the manner of the various cartoons and odd effects in the original film.


  


 
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My Way: A Musical Tribute to Frank Sinatra

 
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The Sound of Music

  

 

 

The Abbey includes a few scenes in corridors, the office of the Mother Abbess, and some sort of space where Maria is being dressed.   The desk can come on or not at Kate’s discretion.  It is 78″ x 30″ x 30″ and is castered.    The projections will vary scene to scene.

The Mountains:

The mountains are for The Hills are Alive.   

The Von Trapp Home:

The Von Trapp Home includes a stair unit leading UR and a table.  The rest will be provided by the projection.   The stairs bend as discussed, and include a decorative bannister. read more

 
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Musical of Musicals (The Musical!)

This image shows

  • Three hanging panels of red fabric, 16′ long.
  • A black, two-dimensional luan cutout that looks like an orchestra.
  • A 4′-8″ high rolling stair unit that moves on or off stage.
  • A Baby Grand-sized piano shell that holds an electric keyboard.
  • An assortment of decorated rehearsal cubes, cafe chairs, and stools.
  • A white-on-black design painted on the floor.
  • White projection fields hitting the cyclorama from behind.   The arches were built into the projections themselves.
  • Below:  Oh What Beautiful Corn.
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    The Complete History of America (abridged)

    The playwright asks for a timeline of the history of the United States on the stage.   Here, the timeline has been broken up to allow entrances through it.  Below you can see that I have maintained some of the curves from the original concept.   This was a little more interesting to look at, makes this a little slicker, and was not difficult to execute.

     

    The map on the floor was a 12′ x 20′ rectangle of luan, painted with that map and a flat-black background.   This allowed quick changeover between this show and Musical of Musicals, which ran in rep with this. read more

     
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    True West



    Decorative plates used as set dressing.

    Floor treatment below.   24″ Squares.  Base coat with creams and slight variations, then add dark grout lines.

     
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    A Grand Night for Singing


     
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